Introduction

hayagr3Soon after the creation, the demons Madhu and Kaitabha had stolen the Vedas and had wrought havoc on the life of others. During this period the supreme Lord Sriman Narayana incarnated as Lord Hayagreeva to kill these two demons and restore the stolen Vedas to the Creator, Lord Sri Brahma.
In 1267 AD a great saint, poet and logician by the name Sri Venkatanatha was born, who was later to be known as Sri Venkatadesika. During his times, he was considered to be “Vishnughantavatar” ( an incarnation of the famous bell of Lord Srinivasa (Tirupati Balaji). One might wonder how an inanimate object such as a bell could be born as an avatar, but the fact is, in Vaikunthaloka everything is animate. The objective of his incarnation was to re-establish ‘Sanathanadharma’.
The people, during this period, were highly influenced by the ‘Advaita’ philosophy of Sri Adi Shankara. People had misinterpreted the ‘Mayavada’ of Sri Adi Shankara and his ‘Mahavakya’ – “Aham Bramhasmi” meaning the ‘self-realized’ and all knowing. They started claiming their own bodies as that of the all-knowing ‘Brahman’ and started throwing away the idols from the temples into wells and had actually succeeded in doing so.
Sri Venkatadesika had composed hundreds of stotras and many other philosophical works such as a commentary on Vishishta Advaita, Brahmasutras, many natakas and kavyas of which, two of them viz., ‘Yadavabhudaya’ and ‘Paduka Sahasra’ are very popular and acclaimed works. Yadavabhudaya is a composition consisting of 2400 verses and it speaks of the entire life of Lord Sri Krishna. Paduka Sahasra, meaning one thousand slokas on the Padukas (wooden sandals), is a rendition on Lord Sri Ranganatha. This rendition was a spontaneous composition done in 3 hours during a competition and this work, to date, stands unparalleled.
He was also known by the titles “Sarvatantraswatantra” and “Vedanta Acharya” that were conferred to him by none other than the Divine Mother Goddess Ranganayaki of Sri Rangam (in Tamil Nadu). He lived up to 101 years and did a great service to Hinduism. He not only protected important scriptures from being destroyed by frequent invasion from Muslim kings but also consolidated the Hindu rule by bringing together the hitherto divided Hindu kings and succeeded in driving away invaders like Malik Gafur and the likes.
His Guru initiated him into Garuda Mantra at the age of 20. He went to a secluded place at Thiruvaheendrapuram (in Tamil Nadu) and did several lakhs of Japa in 6 months and had the grand vision of Sri Garuda appearing before him and initiated him into Hayagreeva Mantra. He performed the japa of this mantra also at the same spot and had the fortune of the vision of Lord Sriman Narayana in the form of Lakshmi Hayagreeva. Sri Desika went into raptures following this vision and the most popular and powerful hymn known as the “Hayagreeva Stotram” started flowing like nectar in praise of Lord Sri Lakshmi Hayagreeva. The strength of this mantra is to enhance the learning faculty. If well imparted, it will be of immense help to the millions of little children who are burdened with heavy workloads in the schools and a stiff academic competition.
The recitation of this mantra is begun with salutations to Sri Venkatadesika to seek his blessings, which goes as follows:
śrīmān venkata nāthāryaħ kavitārkika kesarī|
vedāntācārya varyo me sannidhattām sadā hŕdi||
Translation: I pray to Sri Venkatanatha who is a lion among poets and logicians and who is a great teacher of vedanta and may he be ever present in our heart.

Hayagriva sthothram- Hymn on the Horse faced Lord

This is Hymn in thirty two slokas on Hayagriva, the Supreme God of learning in Vaishnava Sampradaya. About this incarnation of Bhagavan, the purana narrates that a demon took away all the Vedas from four-faced Brahma and Bhagavan as Hayagriva killed him and gave them back to Brahma. God Dakshina-murti, Saraswati and sages like Vyasa shine with the knowledge bestowed to them by Hayagriva and are worshipped by others for attaining knowledge. The tradition about Sri Vedanta Desika is that he meditated on Hayagriva on the Hill Oshadhadri on the banks of River Garuda repeating the Mantra. The Lord appeared before him and blessed him with all knowledge. Thus Sri Desika became the master of all sciences and arts-“Sarva-tantra-svatantra”. All words were before him so that he could choose and use them as he wanted. The devotion of Sri Desika to Hayagriva was so great that hayagriva-stotra is the first of his lyrics. His prayer to the Lord Hayagriva that He must always shine in his heart and take His sear on the throne of the tip of his tongue so that his words will always be graceful, successful and pleasing.

Hayagreeva Stotram [excerpts – full stotram is given below]

jñānānanda mayam devam nirmalasphatikākŕtim |
ādhāram sarva vidyānām hayagrīvam upāsmahe || 1 ||
Translation: We worship Lord Hayagreeva who is the very embodiment of jnana (knowledge) and aanandha (bliss) whose figure is spotless and lustrous like the crystal and who is the sole source and storehouse of all fields of knowledge.
svatassiddham śuddhasphatika maňibhūbhŕt pratibhatam
sudhā sadhrīcībhir dhutibhir avadāta tribhuvanam |
anantaistrayyantair anuvihita heśā halahalam
hatā śeśā vadyam hayavadana mīdī mahi mahaħ || 2 ||
Translation: We praise the Lord who has the Horse face, who is effulgence manifested in a material form, who is like a spotless crystal mountain that has spontaneously risen to this shape, who spreads nectar like radiation brightening all the worlds, whose neighing sounding ‘Hala’ ‘Hala’ is rightly regarded as the voice of the infinite world (the Veda) and whose voice is capable of wiping away all our grief.
samāhārassāmnām pratipadamŕcām dhāma yajuśām
layaħ pratyūhānām laharivitatirvedhajaladheħ |
kathā darpakśubhyat kathakakula kolāha labhavam
haratvantar dhvāntam hayavadana heśā halahalaħ || 3 ||
He may be described as the complete cluster of all Sama Veda, an exact solid equivalent of Rig Veda, a reservoir of the Yajur Veda Mantras, the sure annihilator of all obstacles that beset our studies. His neighing with “hala-hala” sound looks like the wave sequence of the ocean of “Jnana”. May His neighing remove the darkness of our nescience that results from the uproar of the vain talking wranglers churned in praise of participation in fights.
prācī sandhyā kācidantar niśāyāħ
prajñādŕśter añjana śrīrapūrvā |
vaktrī vedān bhātu me vāji vaktrā
vāgī śākhyā vāsudevasya mūrtiħ || 4 ||
Translation: May I be enabled to envision the horse faced form of ParaVasudeva which form is the wonderful eastern sunrise to the internal darkness of Ignorance, the matchless Anjana (kaajal – the black paste used to colour the eyes) that can enable all things to be revealed to one’s intellect as the competent Instructor of the Vedhas and the God of learning.
viśuddha vijñāna ghana svarūpam
vijñāna viśrāňana baddha dīkśam |
dayānidhim dehabhŕtām śaraňyam
devam hayagrīvam aham prapadye || 5 ||

Translation: I surrender myself to Lord Hayagreeva who is totally pure knowledge in solid material form who has taken the vow to grant supreme wisdom to the world and who is the sure refuge to all beings.
apauruśeyair api vākprapañcaiħ
adyāpi te bhūti madŕśta pārām |
stuvannaham mugdha iti tvayaiva
kāruňyato nātha katākśaňīyaħ || 6 ||
Translation: Oh Lord! The extent of your greatness cannot be comprehended till this moment by the veda’s vastness which are without a begining and which were not composed by anyone. And yet I venture to sing of this subject. You alone have to kindly show me everything for the simple reason that I am an Immature novice.
dākśiňya ramyā giriśasya mūrtiħ
devī sarojāsana dharmapatnī |
vyāsādayo’pi vyapadeśca vācaħ
sphuranti sarve tava śakti leśaiħ || 7 ||
Translation: Shiva’s south faced moorthi (Dakshinamoorthi) or the wife of Brahma deva (Saraswati) born in a lotus or Vyasa of great fame praised by all. All these and others (worshipped as Gods of learning who will grant wisdom) have reached a worthy name and position only by receiving a few droplets of your great power.
mando’bhaviśyan niyatam viriñco
vācām nidhe vañcita bhāga dheyaħ |
daityā panītān dayayaiva bhūyo’pi
adhyāpayiśyo nigamān na cet tvam || 8 ||
Oh Lord! Who is the veritable source of variegated knowledge? What would have happened to Brahma if you had not mercifully restored to him the Vedas stolen away from him by the Asura? He would have merely sat as a simpleton having been deprived of all halo and fortune.
vitarka dolām vyavadhūya satve
bŕhaspatim vartayase yatastvam |
tenaiva deva tridaśeśvarāňām
aspŕśta dolāyitamādhi rājyam || 9 ||
Oh Lord! You conferred on Brihaspati a stead fastness in wisdom, devoid of doubt and delusion. Only because of this help of Yours the holity of devas proceeds on even keels without dislocation.
agnou samiddhārciśi saptatantoħ
ātasthivān mantramayam śarīram |
akhaňda sārair haviśām pradānaiħ
āpyāyanam vyoma sadām vidhatse || 10 ||
When Samidha is consigned into fire which burns with flame You remain the very soul to the Mantras. The taste of havis is pleasing to devas. It is all because of You.
yanmūlamīdŕk pratibhāti tatvam
yā mūlamāmnāya mahādrumāňām |
tatvena jānanti viśuddha satvāħ
tvām akśarām akśara mātŕkām te || 11 ||
Sathrikas (Sadhus) rightly recognize You as the essential truth of pranava which is indeed the mother of alphabets which is root of the large trees that the Vedas are and these Vedas are the basic book of creation. You thus remain the cause of all.

||śrī hayagrīva stotram||

śrīmān venkata nāthāryaħ kavitārkika kesarī|
vedāntācārya varyo me sannidhattām sadā hŕdi||jñānānanda mayam devam nirmalasphatikākŕtim |
ādhāram sarva vidyānām hayagrīvam upāsmahe || 1 ||

svatassiddham śuddhasphatika maňibhūbhŕt pratibhatam
sudhā sadhrīcībhir dhutibhir avadāta tribhuvanam |
anantaistrayyantair anuvihita heśā halahalam
hatā śeśā vadyam hayavadana mīdī mahi mahaħ || 2 ||

samāhārassāmnām pratipadamŕcām dhāma yajuśām
layaħ pratyūhānām laharivitatirvedhajaladheħ |
kathā darpakśubhyat kathakakula kolāha labhavam
haratvantar dhvāntam hayavadana heśā halahalaħ || 3 ||

prācī sandhyā kācidantar niśāyāħ
prajñādŕśter añjana śrīrapūrvā |
vaktrī vedān bhātu me vāji vaktrā
vāgī śākhyā vāsudevasya mūrtiħ || 4 ||

viśuddha vijñāna ghana svarūpam
vijñāna viśrāňana baddha dīkśam |
dayānidhim dehabhŕtām śaraňyam
devam hayagrīvam aham prapadye || 5 ||

apauruśeyair api vākprapañcaiħ
adyāpi te bhūti madŕśta pārām |
stuvannaham mugdha iti tvayaiva
kāruňyato nātha katākśaňīyaħ || 6 ||

dākśiňya ramyā giriśasya mūrtiħ
devī sarojāsana dharmapatnī |
vyāsādayo’pi vyapadeśca vācaħ
sphuranti sarve tava śakti leśaiħ || 7 ||

mando’bhaviśyan niyatam viriñco
vācām nidhe vañcita bhāga dheyaħ |
daityā panītān dayayaiva bhūyo’pi
adhyāpayiśyo nigamān na cet tvam || 8 ||

vitarka dolām vyavadhūya satve
bŕhaspatim vartayase yatastvam |
tenaiva deva tridaśeśvarāňām
aspŕśta dolāyitamādhi rājyam || 9 ||

agnou samiddhārciśi saptatantoħ
ātasthivān mantramayam śarīram |
akhaňda sārair haviśām pradānaiħ
āpyāyanam vyoma sadām vidhatse || 10 ||

yanmūlamīdŕk pratibhāti tatvam
yā mūlamāmnāya mahādrumāňām |
tatvena jānanti viśuddha satvāħ
tvām akśarām akśara mātŕkām te || 11 ||

avyākŕtād vyākŕta vānasi tvam
nāmāni rūpāňi ca yāni pūrvam |
śamsanti teśām caramām pratiśtām
vāgīśvara tvām tvadupajña vācaħ || 12 ||

mugdhendu niśyanda vilobha nīyām
mūrtim tavānanda sudhā prasūtim |
vipaścitaścetasi bhāvayante
velā mudārāmiva dugdha sindhoħ || 13 ||

manogatam paśyati yaħ sadā tvām
manīśiňām mānasa rāja hamsam |
svayam purobhāva vivādabhājaħ
kinkurvate tasya giro yathārham || 14 ||

api kśaňārdham kalayanti ye tvām
āplāvayantam viśadair mayūkhaiħ |
vācām pravāhair anivāritaiste
mandākinīm mandayitum kśamante || 15 |

svāmin bhavaddhyāna sudhābhiśekāt
vahanti dhanyāħ pulakānubandham |
alakśite kvāpi nirūdha mūlam
angeśvivānandathum ankurantam || 16 ||svāmin pratīcā hŕdayena dhanyāħ
tvaddhyāna candrodaya vardhamānam |
amānta mānanda payodhimantaħ
payobhirakśňām parivāhayanti || 17 ||

svairānubhāvās tvadadhīna bhāvāħ
samŕddha vīryās tvadanugraheňa |
vipaścito nātha taranti māyām
vaihārikīm mohana piñchikām te || 18 ||

prān nirmitānām tapasām vipākāħ
pratyagra niśśreyasa sampado me |
samedhiśīramstava pāda padme
sankalpa cintāmaňayaħ praňāmāħ || 19 ||

vilupta mūrdhanya lipikra māňām
surendra cūdāpada lālitānām |
tvadanghrirājīva rajaħ kaňānām
bhūyān prasādo mayi nātha bhūyāt || 20 ||

parisphuran nūpura citrabhānu –
prakāśa nirdhūta tamonuśangām |
padadvayīm te paricin mahe’ntaħ
prabodha rājīva vibhāta sandhyām || 21 ||

tvat kinkarā lankaraňo citānām
tvayaiva kalpāntara pālitānām |
mañjupraňādam maňinūpuram te
mañjūśikām veda girām pratīmaħ || 22 ||

sañcintayāmi pratibhāda śāsthān
sandhukśayantam samaya pradīpān |
vijñāna kalpadruma pallavābham
vyākhyāna mudrā madhuram karam te || 23 ||

citte karomi sphuritākśamālam
savyetaram nātha karam tvadīyam |
jñānāmŕto dañcana lampatānām
līlā ghatīyantra mivāśritānām || 24 ||

prabodha sindhoraruňaiħ prakāśaiħ
pravāla sanghāta mivodvahantam |
vibhāvaye deva sapustakam te
vāmam karam dakśiňam āśritānām || 25 ||

tamāmsi bhitvā viśadairmayūkhaiħ
samprīňayantam viduśaścakorān |
niśāmaye tvām nava puňdarīke
śaradghane candramiva sphurantam || 26 ||

diśantu me deva sadā tvadīyāħ
dayā tarangānucarāħ katākśāħ |
śrotreśu pumsām amŕtam kśarantīm
sarasvatīm samśrita kāmadhenum || 27 ||

viśeśa vitpāriśa deśu nātha
vidagdha gośthī samarāngaňeśu |
jigīśato me kavitārki kendrān
jihvāgra simhāsanam abhyupeyāħ || 28 ||

tvām cintayan tvanmayatām prapannaħ
tvāmudgŕňan śabda mayena dhāmnā |
svāmin samājeśu samedhiśīya
svacchanda vādāhava baddha śūraħ || 29 ||

nānā vidhānāmagatiħ kalānām
na cāpi tīrtheśu kŕtāvatāraħ |
dhruvam tavānātha parigrahāyāħ
navam navam pātramaham dayāyāħ || 30 ||

akampanīyān yapanīti bhedaiħ
alankŕśīran hŕdayam madīyam |
śankā kalankā pagamojjvalāni
tatvāni samyañci tava prasādāt || 31 ||

vyākhyā mudrām karasarasijaiħ pustakam śanka cakre
bibhrad bhinnasphatika rucire puňdarīke niśaňňaħ |
amlānaśrīr amŕta viśadair amśubhiħ plāvayan mām
āvirbhūyā danagha mahimā mānase vāga dhīśaħ || 32 ||

vāgartha siddhihetoħ
pathata hayagrīva samstutim bhaktyā |
kavitārkika kesariňā
venkata nāthena viracitā metām || 33 ||

kavitārkika simhāya kalyāňa guňaśāline |
śrīmate venkateśāya vedānta gurave namaħ ||

radha-damodara

राधा (rādhā) means various things and people

  1. prosperity and success and refers to the completion of karma related to birth thereby becoming eligible for mokṣa which marks the real success
  2. it refers to the 21st Nakṣatra Uttara Āsāḍha which houses 14/15 parts of the intercalary nakṣatra Abhijit which is the seat of Hari (Nārāyaṇa, Jagannāth). The two nakṣatra 20th Pūrva Āsāḍha and 21st Uttara Āsāḍha are parts of the dharma bhāva along with Mūla nakṣatra in Dhanus (Sagittarius) Rāśi. In the lunar month of Āsāḍha, Jagannāth leaves his abode at the temple and travels to the Guṇḍichā (Rādhā) temple in the chariot – the famous Ratha Yatra festival.
    • The 19th nakṣatra Mūla represents the pitṛs and shows root (mūla) dharma coming from father. If father is Hindu then child shall be Hindu at birth; if Christian then child shall also become Christian. This is mūla dharma.
    • The 20th nakṣatra represents the śreṇi-guru i.e. all the teachers and professors of the university where we train for professional life as well as the boss at work who teaches us to become proficient in our karma. This brings professional success.
    • Finally the 21st nakṣatra determines the dīkṣa guru who guides us in the spiritual path to mokṣa.
  3. It also refers to the nakṣatra Viśākhā (containing 4 stars in the form of a curve marking the meeting of Libra and Scorpio). It is the power of purity and chastity of a lady.
  4. of the foster-mother of Karṇa, the first son of Kunti who was not a Pāṇḍava, the king of Aṅga (modern Bihar).  She was the wife of Adhiratha, who was Sūta or charioteer of king Śūra. Karṇa was also called Rādhā-suta.
  5. Finally, a celebrated cowherdess or Gopi (beloved by Kṛṣṇa, and a principal personage in Jaya-deva’s poem Gita-Govinda who was worshipped as a goddess at the time of Parāśara and later again after the medieval period. She is occasionally regarded as an avatāra of Lakṣmī although the prime avatāra is Rukmiṇī. In order to ensure that the prayers are addressed to this Rādhā and none of the others above, Parāśara teaches the powerful dasākṣarī mantra गोपीजन वल्लभाय स्वाहा (gopījana vallabhāya svāhā) with the lupta bīja which is given only to the initiated for learning jyotiṣa. Similarly the name Rādhikā is used instead of just Rādhā as in the aṣṭākṣarī mantra राधिकायै श्रेयं नमः (rādhikāyai śreyaṁ namaḥ) has the power to remove the debility of Venus and every kind of skin affliction. Later add the name of Kṛṣṇa to this mantra and it becomes the 13 syllable mantra resembling the 13 petal lotus at the door of the Jagannāth garbha griha. ॐ क्लीं कृष्णाय राधिकायै श्रेयं नमः (om klīṁ kṛṣṇāya rādhikāyai śreyaṁ namaḥ)

The Veśa

Now we can understand why Śrī Chaitanya Mahāprabhu laid so much importance to this Rādhā-Dāmodara Veśa of Lord Jagannāth and was instrumental in reinstalling this veśa as a part of the annual ritual of the Lord. During his expedition to Śrī Kṣetra (Jagannāth Puri) in Odisha in the 16th Century, Śrī Caitanya had this powerful month long ceremony initiated. For an entire ‘Vaiṣṇava’ lunar month, starting from śukla ekādaśī (the 11th day of the bright fortnight) of Aśvina māsa to the śukla daśamī (10th day of the bright fortnight) of Kārtika māsa, the Deities are dressed in this Rādhā-Dāmodara veśa. Dāmodara refers to Bāla-Gopāla (baby Kṛṣṇa) with a rope tied around His waist to prevent the baby from straying (Kṛṣṇa childhood pastimes with Mother Yashoda). It was in this veśa that Kṛṣṇa gave mokṣa to the Arjuna trees as baby Kṛṣṇa was so strong that He pulled at the rope tying Him to the two trees and they fell down!

One mythological belief reveals that while Akrura the emissary of Kansa, while taking Kṛṣṇa and Balaram to Mathura, took a bath in River Yamuna, he saw this veśa of Jagannāth.

The deities wear three-crossed dress materials in this veśa. They are adorned with Golden hands, Crowns made of bamboo plates and velvet cloth.

Jyotiṣa Notes

Māsa is the period of a month and represents the entire living phase from birth to death. At the beginning of the month, the deities are like babies and then grow to adolescence and emerge as youth. Finally old age (vṛddha) and death like stage (mṛta) avasthā envelopes them. What amāvāsya is to the Moon and saṅkrānti is to the Sun, śukla ekādaśī is to Kṛṣṇa. On amāvāsya the Moon is naked and hides inside the trees; the Sun god is changing his clothes on saṅkrānti (implying being without clothes) while Kṛṣṇa is a baby on śukla ekādaśī. Those who worship the Kali fast on amāvāsya and sing the 22 syllable mantra; the brāhmaṇa seeking self-realisation fast on saṅkrānti and sing the 24 syllable gāyatrī mantra; the bhakta seeking union with Kṛṣṇa fast on ekādaśī and sing the 32 syllable mahā-mantra.

jaga-badasringaravesa3.1
This is a very beautiful vesha. It is done before the night time ‘pahuda’, when the deities can take rest. Simply stated, it is the ‘night dress’ of Jagannath and siblings Balabhadra and Subhadra.
It is therefore the vesha the deities appear in the following morning, for mangala arati.
This vesha is mostly made of different kinds of flowers. The Lords are decorated with flowered ornaments known locally in Puri as adhara, jhumpa, gava, chandrika, tilak, alaka, guna, hruda pallava, karapallava and tadaki among others.
The Deities also wear many flower garlands, some with tulasi leaves, and silk clothes called khandua.

AbakashaVesha
Costume Of Lord JagannathOn each and every day, the Abakash Besha (vesha) of Sri Lord Jagannath is made soon after completetion of Mangala Arati & Mailam.
The schedule time of this Besha is between 6 AM to 6:30 AM . The morning brushing of teeth and procedure of bathing of deities is known as Abakash. It is said that this abakasha vesha has been inducted into the daily rituals by Acharya Sankara i.e. Adi Shankara, in the 9th century B.C. during the reign of HRH Gajapati Maharaja Jajati, who ordered its induction into the daily rituals.
In this Besha, the Puspalaka is offering three Pata to each Deities i.e Lord Jagannath, Balabhadra and Subhadra.
One Cloth ais lso offred to Lord Sudarshana .
In addition to that the napkins are also offered to Jagannath & Balavadra as ‘Utariya’ during this Besha.

Brass-Deepa-LakshmiNamaste! From tomorrow, Kartika Masa, the month of Akash deepa starts. Since Dakshinayana is a malefic period, and lighting of a lamp and praying to Shiva/Ista Devata is supposed to protect one from going to naraka (hell) “Traahimaam narakaath ghoraath, deepajyothi namosthute”, I just felt like sharing a few thoughts … please pardon (but do correct) any errors that creep into my modest narrative. What I am offering is just like a fistful of “arghyam” to the Almighty…

om bhur bhuva svah
tat savitur varenyam
bhargo devasya dhimahi
dhiyo yo nah pracodayat

The Gayatri mantra exhorts us thus Chanting Omkara, forget the “vaasana” and “vichara” of the three worlds, and concentrate on Surya alone, the “Trailokya timiraapah”. Let the Surya, the “Jyothiswaroopa” flood our hearts with His radiance. Let the effulgence of Surya engulf us, burn away the darkness, and sharpen
our faculties. Let the intellect glow steadily,
unagitated and unbiased. Let it remain chaste…
unsoiled by the shadripu.

This ancient invocation embodies the man’s perennial quest for Light, which is synonymous with the Supreme Being. All ancient religions in the world have revered “Light” from time immemorial and designated the time of conjunction between darkness and light (Sandhya samaya) as especially sacred for worship.

While day represents “jagrithi” (wakefulness); night represents “sushupthi” (state of sleep), and the brilliant twilight represents “Swapna” (the dream-state), the junction of the conscious and the unconscious, where everything gets dramatically colored and highlighted.  The fourth dimension is the “thuryavastha”, which is indefinable and permeates all states, like ether, the “Akasa tattwa”. Just to illustrate..this is most akin to the fleeting, trance-like state of the pale pre/afterglow. It is like the vibrating silence that follows “AUM”. It is where the soul is in its highest state of  “nirvikara” … and closest to God.

This is the time of  “Nitya Deepaaradhana”, a daily Hindu ritual of lighting the lamp during dawn and dusk, which signifies man’s basic desire to stay close to Light/Dharma, and derive comfort, despite the apparent and sometimes, overwhelming darkness. Infact, Light is an inextricable part of Hindu sensibility. From birth to death and even beyond, lighting of a lamp accompanies virtually all activities.
The Purana have described the Lamp as “Suryamsa sambhavo deepah”(an aspect of Surya) and according to Rigveda it is Amritamaya (full of nectar). It is one of the 16 upacharas / services / offerings to God and is one of the 16 “mahadaanas”. The light of lamp can be resolved into three components:

Blue, White and reddish Gold, representative of Durga/Parvati, Saraswati and Lakshmi and lighting of the lamp is to ignite/launch/channel the three guiding shaktis (Iccha/Gyana/Kriya shaktis) of human destiny into action for our benefit.
The lighting of lamp is usually accompanied by rendition of the sloka,
Deepam Jyothi parabrahmam
Deepam sarva tamopaham
Deepena saadhyate sarvam
Sandhya deepam namosthute

The lighting of lamp is not just a routine religious task and is highly symbolic:
Vairagya thaila sampoorne
Bhakti varti samanvithe
Prabodha poorna pathrouthe
Jnyapthi deepam vilokayeth

Fill a vessel called “Prabodha” (teachings of Guru) with oil called “Vairagya” (detachment) and put a wick called “Bhakti” (devotion) and let the lamp of wisdom glow gently within and without, at the feet of God. Where the heart is touched by the Divine Spark, the mind is truly enlightened and both are immersed in the constant contemplation of God, inner light pours out from every pore, says Taittiriya Upanishad. And that person will himself grow into a “Viswamurti”, because Lord Krishna in Bhagavadgita emphatically says that He’s the “Tejas”(brilliance) of the Sun, the Moon, the Agni and wherever else it is found.

In Purusha sooktam, the description of the Viswamurti goes like, “chandrama manaso jaatah chaksho Suryo ajaayatha…” establishing Eyes and Heart as the twin primary seats of Light /luminaries in the human body. Now, relate this to Jyotish Sastra which is identified with the eyes of kalapurusha…and there, in the center/core (Bhrumadhya) lies the Third Eye/Aagya chakra, the seat of wisdom and intuition, ruled by Jupiter, who alone can unlock a shimmering path into the sheer, translucent Light that is Sahasrara Chakra and Mother.
Asatoma Sadgamaya
Tamasoma Jyotirgamaya
Mrityorma Amritamgamaya

Translation: Oh Lord, Lead me… from Untruth to Truth Darkness to Light Mortality to Immortality
Om Shantih, Shantih, Shantih!